From a window overlooking the street outside the nightclub, Sato eyes Nick and Charlie. Zimmer scores the villain’s menacing smile with a bending synth gesture. Percussion pounds as they become encircled by local bullies on motorcycles, the Osaka theme melodically connecting the explosive beats. Charlie expresses his reluctance to wade any further into this plot. „I can’t go back without him, Charlie“, Nick says – a lone ichigenkin sighing a fragment of Nick’s theme over a low bass line.